I was delighted to hear the news that my friends, Keith and Anne, were to become proud grandparents, as their daughter, Sarah and son-in-law, Mark, were expecting twins in the early months of 2017.
Having done a number of illustrations for Keith and Anne in the past (of a canine nature) it was nice to be asked to do some birth illustrations for their two grandchildren. The grandchildren are beautiful and the parents have named them Erin and James. Congratulations to all the family.
Erin was very traditional in being ‘ladies first’, with her ‘little’ brother arriving only a minute behind her. The proud grandparents wanted some animal illustrations to feature on the birth pictures, but each of them were to have a different theme, so I suggested African/Safari animals for James and British wildlife for Erin. I was inspired by all of the Beatrix Potter merchandise last year, so it’s not surprising that Erin has a red squirrel, rabbit and a hedgehog in her illustration. This illustration is also the first to feature a mole, an animal that I can’t remember ever drawing before. James, on the other hand, features animals that boy’s tend to like – particularly crocodiles, lions, monkeys and elephants. It also has my favourite animal, a giraffe in it too.
I heard from Keith that the new parents, Sarah and Mark, are delighted with their children’s birth illustrations, which makes it all the more enjoyable for me, as I truly enjoyed drawing them. I hope that when they are older Erin and James will enjoy them and that they will be a wonderful memory for them in later years.
I must make an apology for the quality of the images on this blog post. I took a picture of these commissions with my mobile phone and not my camera (which wasn’t working at the time 😦 )
Dina, pronounced ‘Dinah’, is my fourth Doberman Pinscher illustration for Mary Redshaw. I have known Mary from my time working at a tertiary college and she has always had a love of dogs, particularly Doberman Pinschers, and during the last five-years I have drawn a succession of Mary’s beautiful dogs: Gina, Tia, Della and now Dina.
For some reason, I always had a soft spot for Dina and despite the fact that she could be as mischievous as her sister, Della, I never wanted Dina to get the blame. I never got to meet Mary’s ‘girls’ apart from once, when I met Dina and took her and Mary’s whippet, Tina, for a walk. Dina was, by now, quite an ‘old girl’ and was having difficulty with her breathing and her walking was impaired, but despite all of this she had a beautiful nature and was a perfect companion for Mary and the spritely young whippet.
I drew this commission after having looked at hundreds of photographs that Mary had taken of Dina; together we chose the one that we liked the best and that reflected her gentle nature. Using coloured pencils, chalk and a small amount of watercolour paint the illustration was completed in just over two-days. Mary asked if it would be possible to include my ‘motif’ of a ladybird, so that was included near my signature and is the first time I have done this for a pet illustration.
I handed over the commission to Mary today and she was very ‘moved’ and said that I had captured Dina’s expression and character very well. It’s always nice to be able to see the expression in people’s faces when I hand over my work to them. One of Mary’s friends came to her house later in the afternoon and recognised Dina.
Mary is soon to get Dina framed and hung on the wall with her other canine friends, a collection of illustrations and photographs and memories that mean so much to her in more ways than one…
I had done a birth illustration for a baby boy called Joshua back in April 2015 and his proud Grandmother, Angela, contacted me, a few months ago, to say that Joshua had recently received a baby brother, Rafe (the original spelling for the name Ralph) and that she would like to commission me to do a birth illustration for the newest member of her family.
After doing a spot of ‘homework’ about the name Rafe, I discovered that it is an old Norse/English word, which means ‘wolf counsellor’. Angela then asked me to come up with a theme for the birth illustration. I thought ‘Peter and the Wolf’ would be a nice theme for the commission and did some research about this ‘symphonic fairy tale for children’: which is a musical composition written by Sergei Prokofiev in 1936.
On his travels, young Peter (after leaving the safety of his grandfather’s house), encounters a small bird, a cat and a duck, which journey with him on his search for his adventure. Peter and the animals are all depicted by a particular instrument i.e. the cat is set to the clarinet, the duck to the oboe and Peter’s character is set to the string section of an orchestra. As the music unfolds, the different characters can be heard throughout the piece.
I wanted to create a different look for each of the characters and did a small scamp (Scamp – a first rough or mockup) before working on a more detailed sketch with characters in place. This is probably the hardest part of the whole process for me, as it’s drawing it all out and is fairly time-consuming. However, I love the process of creating the finished illustration, as all of the hours spent scamping and sketching finally start to take on a new dimension in colour, shape and texture before one’s eyes.
I was requested to keep the main character of Peter similar to the Disney cartoon, but I did suggest that we alter his hair and the colour of his clothes, as I never like to reproduce anything exactly. The small elephant on Peter’s clothes, relates to the motif on the birth announcement card that Angela received to inform her of his birth.
I am not sure when Angela is going to present her daughter with the new picture for the new arrival, but I do hope that they will like it and the thought and effort that has gone in to it from both the client and the artist…
I always love this time of year, when you know spring is ‘just around the corner’. The days start to lengthen and the mornings are much lighter (so not quite as difficult to get out of bed at 7 o’clock) and one’s heart is gladdened.
It’s at this time of year, that I always notice a large clump of snowdrops, which grow on a bank in Burnopfield, not far from my parents’ home. They have cheered my heart on many a winter day.
My longtime friend and former colleague, Mildred, has a great love of snowdrops and they have a very special meaning for her. I think she was the inspiration behind this drawing, which also featured a beautiful white bear. My friend, Jennifer A. Stephenson created a beautiful jade-green cape or cloak, for the bear, which I named ‘Sophie’.
I photographed the bear in situ but was very careful not to crush the delicate white blooms on the drooping flowers. As usual, I waited until the road was quiet of traffic and set up the scene. Then, as usual, a fleet of buses or a group of cyclists go by and all stop and stare at me, as I do some sketching and take some hasty photographs. The same thing happened on this occasion, which is always very embarrassing for me. I wouldn’t put myself through these torturous ordeals if it is not for the fact that I want to get the effects of shadow and light correct on the bear etc.
This illustration, like many of them, was time consuming, as the amount of snowdrops could not be rushed. I felt I was well on my way to breaking the record of how many snowdrops could be drawn in the one picture.
‘Sophie in Snowdrops’ appeared in my 2006 Bear-a-thought calendar and the finishing touches on this illustration were completed whilst I was watching a repeat of the original ‘Dad’s Army’ movie on television. It’s strange the memories of doing these illustrations recall…
It is always a pleasure and an honour to have appreciative customers return to get another illustration done or in this case two portraits. I was delighted (despite being a bit under pressure in the run-up to Christmas) when a former colleague, Keith, messaged me to ask if I could do two dog illustrations for him. One was for his daughter, Sarah and another was for his sister-in-law, Maureen.
As I was always do I went and took the photographs of the dogs, Jack (Yellow Labrador) and Sam (Border Collie) at Keith’s home, when his family were out (as the portraits were to be a surprise). Jack was a ‘breeze’ to photograph, but Sam was altogether more boisterous and playful. Both of the dogs are beautiful animals; the Labrador has the most gorgeous chocolate-coloured eyes and the Border Collie has the most bushy squirrel-like tail, which impressed me a great deal.
Both illustrations were well received by the recipients and Keith said that his sister-in-law, Maureen, (who received it on her birthday) was ‘over the moon’. It’s nice to know that the illustrations I create touch the hearts of those that receive them. I hope you enjoy them too…
As part of my current weekly teaching role I have to find ideas and inspiration for session plans, which often come from friends and colleagues. One of my former colleagues suggested doing ‘reindeer noses in a jar’ and this set my creative mind aflame. The ‘reindeer noses in a jar’ I had seen in the past were just made up of a strip of brown felt around the outside of an empty jam jar, onto which were stuck goggle-eyes and a red furry nose.
The reindeer heads take shape and are temporarily stored on a lampshade.
Probably setting it as a challenge too far, I considered the possibility of creating a reindeer-shaped head out of felt and then attaching that to the jar (with a piece of ribbon) and then decorating it with facial features. So, getting out my recycled pieces of cardboard I started drawing reindeer heads onto pieces of brown and fawn coloured felt and getting busy with the scissors…
The jars are washed and decorated in various festive ribbons.
After cutting some heads out of felt (and attaching them to a lampshade so I didn’t lose them), I got busy cleaning jars and choosing ribbon (tartan was a nice choice, and another that looked like chocolate balls) to attach to the outside of the jars.
The rest, I am sure, is self-explanatory: adding in the facial features etc, but some of the ones in the class were given red fuzzy noses, which also gave them an extra 3D feel. You can see the results, below, which only took me a few hours. Hope they are popular with the buyers at the Christmas Fair… Watch this space…
Finally, the jars are finished and filled with confectionery, with one chocolate ball covered in red foil, to represent Rudolph the Red-nosed Reindeer.
Thank you to those who have followed my blog in the last year (or earlier), I hope you will continue to view my posts in 2017. Happy New Year to you all 🙂
Since my childhood I can remember the saucy humour of the ‘Carry On’ movies being shown on the television. Of course the risqué humour of the script was completely lost on me (I am only understanding it now, to be honest), but the slapstick fun appealed to me. Through time the films and the actors and actresses that played in them became more and more well known to me. I always had a soft spot for the matronly Hattie Jacques and the shiny-faced Joan Sims. Peter Butterworth has to be a favourite too, along with the nostril-flaring Kenneth Williams and the bespectacled Charles Hawtrey.
On Bonfire/Guy Fawkes’ Night I saw that ‘Carry on Screaming’ was being shown on the television, so I decided to sit down and watch it, as it had been one of my favourites from childhood. It features a ghoulish brother and sister who, acquiring young females by force (with the aid of two hirsute, flat-headed monsters), turned them into shop mannequins which they sold. The dastardly deeds of the siblings, played by Kenneth Williams and Fenella Fielding, are eventually thwarted by the sleuthing ‘skills’ of Detective Sergeant Sidney Bung, who was played by Harry H. Corbett (looking rather like the character Sherlock Holmes).
I enjoyed the film as much as ever and surprised myself by getting some of the saucy jokes, which I had never noticed before. Whilst watching I remembered that I had drawn a quick pen and ink sketch of Kenneth Williams many years ago, so I dug it out of an old and battered file. Not really sure why I drew this quick portrait, but it could have been done during a doodling lunch hour when I worked in the newspaper industry in Carlisle.
The movie also reminded me of meeting the panther-voiced Fenella Fielding at a party at Pinewood Studios on a gloriously sunny April day (not so many years ago). As a big fan of this actress, I was lucky enough to meet her and sit beside her for a chat. I spoke to her about the deep-red, velvet dress she wore in the film, which she seemingly had to be sewn into. She also had to wear it for the whole 6-weeks of filming as they only made one! Limited budgets on those Carry On films, it would seem. But alas, the rest of that story will have to wait for another blog post…