It’s almost scary that I drew this pen and ink drawing (later to be coloured with watercolours) almost 21 years ago. I see that the completion date was ‘St. Ursula’s Day’ (which is the 21 October), so it’s almost ‘come of age’ this drawing in many ways than one. I have done a number of book illustrations like this one over the years, but most of them I’ve sadly forgotten, but not this one. This one takes me right back to the years when I was doing a lot of art, whilst also working hard in the world of newspapers…
The reference material was largely my own photographs, as I can remember photographing these scarlet poppies which were growing in my family village of Tanfield (for those of you who know that area, it’s one of the fields on the industrial estate – opposite the sign to Tanfield Railway). It was a gorgeous day and I was spending it with some of my family, Carole, Robert and Kirk.
This illustration took quite a long time to do, with the blurry effect behind the mice and the poppies in the foreground being the most time consuming. I really enjoyed putting the details on the faces of the mice as they climb upon and nibble the swaying wheat. When I actually spied some harvest mice I could not believe that they were so small; I also wanted to make sure that my trademark ladybird was not out of proportion with these tiny and elusive rodents.
I was rather taken aback by the popularity of this illustration and was delighted when it was reproduced as a greeting card and as one of the summer month illustrations in a rather classy calendar. The original piece of artwork was purchased by Mr Alistair Thompson, from Scotby in Carlisle, after he saw it displayed at an exhibition. I wonder if it’s still hung upon the living-room wall of his beautiful home to this present day…
oeIt was one of those days when you just feel inspired to draw something, but you don’t know what and then your eye rests upon something that sparks your creativity. I was just returning from a shopping trip in Newcastle upon Tyne, when I spied some Highland cattle from the lofty heights of the double-decker bus I was travelling on.
The colour of the cattle, a rusty orange, captured my imagination and I sourced some images online on my return home. I found an excellent picture of a Highland cow and decided to reproduce it using a limited colour palette of coloured pencils: French Grey, Indigo, Raw Sienna, Chocolate, Venetian Red and Terra Cotta. I didn’t allow myself to use Black pencils. As well as working with a limited palette, I only allowed myself three-hours to create the drawing and the colouring. In hindsight it could have done with some extra work, but I was determined not to go over the time allocation I had set myself from the outset. In many ways this colour and time exercise reminded me of when I was a student at Cumbria Institute of the Arts in Carlisle.
I have a friend who is very fond of Highland cattle and this illustration just might find its way to her some day in the, hopefully, not-too-distant future…
I was asked a few month’s ago to create a birth illustration for a new arrival in Hull, called Zain, who was born this February. Having done a birth illustration for his older brother, Lucas, it was great to be asked if I could do one for ‘Son Number 2’.
I had done a birth illustration on a dinosaur theme a number of years ago and the client asked if Zain’s design could be similar (I never do exactly the same designs). So, I sketched out a few dinosaurs, the great ponderous Brontosaurus ‘the thunder lizard’ no doubt referring to the sound its great feet made it as it slowly pounded the earth, as well as Stegosaurus ‘roof/covered lizard’ with its kite-shaped bone plates on its back and Rhamphorhynchus – a flying bird dinosaur, rather like the Pterodactyl. It’s always interesting to work from ‘real’ dinosaurs even if they don’t look exactly like their prehistoric creations. I even included the ‘tyrant king lizard’ Tyrannosaurus Rex, with a much-softened and more friendly persona, as anything like the real thing would surely produce nightmares in one viewing it at a tender age!
I am hoping that Zain will like his birth illustration, which includes all his personal birth details upon it (you cannot see this on the photograph for security reasons). His family should receive it in August or September when the family have a gathering in York. Perhaps Zain will still appreciate and own this birth illustration long after I have also, like the dinosaurs, become extinct!
After I graduated from Cumbria Institute of the Arts in 1987, I had to find employment to put my graphic design and art history training to work. Back then, rather like now, jobs were rather ‘thin on the ground’ and I had to do a period of voluntary work with the Citizens Advice Bureau, whilst pursuing my first step on the elusive career ladder. I had some temporary work for Busways in Newcastle upon Tyne, but was still looking for permanent work when my former teacher at the Institute, George Thompson, rang me and told me about a job for a graphic designer in the Scottish border town of Langholm.
ABOVE: Me, with my thinking cap on, at my desk at Ashley Bank House (you can see some of the logo designs).
I applied for the job at The Edinburgh Woollen Mill and got an interview. They must have been fairly impressed with my presentation and my graphic work, as I started receiving some freelance work from them; this was probably to see what my work ethic and creativity were like. The fast-and-furious deadlines were enough to give me veritable nightmares, especially as there were no such things as e-mails and sending pdfs (not that I knew of anyway). Everything had to be hand drawn and coloured to the best of my ability and within the set timescales. When the work was complete it was a mad dash to the Post Office in order to post the work to them in time to meet the deadline.
After a number of months doing this home-design work, I was very grateful to be given a contract in early April 1988 and started working at Ashley Bank House (a former hotel), which was part of The Edinburgh Woollen Mill’s base in Langholm. I later went to work at Waverley Mills, where I did a lot of the design work for the marketing department. My time was spent creating logos for the company and P.O.S (point-of-sale) material, which was a large bulk of my work during the two-years that I worked there.
I will write some more about my first job on another blog post at a later date and include some more of the work that I did for this forward-thinking knitwear company.
I was delighted to hear the news that my friends, Keith and Anne, were to become proud grandparents, as their daughter, Sarah and son-in-law, Mark, were expecting twins in the early months of 2017.
Having done a number of illustrations for Keith and Anne in the past (of a canine nature) it was nice to be asked to do some birth illustrations for their two grandchildren. The grandchildren are beautiful and the parents have named them Erin and James. Congratulations to all the family.
Erin was very traditional in being ‘ladies first’, with her ‘little’ brother arriving only a minute behind her. The proud grandparents wanted some animal illustrations to feature on the birth pictures, but each of them were to have a different theme, so I suggested African/Safari animals for James and British wildlife for Erin. I was inspired by all of the Beatrix Potter merchandise last year, so it’s not surprising that Erin has a red squirrel, rabbit and a hedgehog in her illustration. This illustration is also the first to feature a mole, an animal that I can’t remember ever drawing before. James, on the other hand, features animals that boy’s tend to like – particularly crocodiles, lions, monkeys and elephants. It also has my favourite animal, a giraffe in it too.
I heard from Keith that the new parents, Sarah and Mark, are delighted with their children’s birth illustrations, which makes it all the more enjoyable for me, as I truly enjoyed drawing them. I hope that when they are older Erin and James will enjoy them and that they will be a wonderful memory for them in later years.
I must make an apology for the quality of the images on this blog post. I took a picture of these commissions with my mobile phone and not my camera (which wasn’t working at the time 😦 )
Dina, pronounced ‘Dinah’, is my fourth Doberman Pinscher illustration for Mary Redshaw. I have known Mary from my time working at a tertiary college and she has always had a love of dogs, particularly Doberman Pinschers, and during the last five-years I have drawn a succession of Mary’s beautiful dogs: Gina, Tia, Della and now Dina.
For some reason, I always had a soft spot for Dina and despite the fact that she could be as mischievous as her sister, Della, I never wanted Dina to get the blame. I never got to meet Mary’s ‘girls’ apart from once, when I met Dina and took her and Mary’s whippet, Tina, for a walk. Dina was, by now, quite an ‘old girl’ and was having difficulty with her breathing and her walking was impaired, but despite all of this she had a beautiful nature and was a perfect companion for Mary and the spritely young whippet.
I drew this commission after having looked at hundreds of photographs that Mary had taken of Dina; together we chose the one that we liked the best and that reflected her gentle nature. Using coloured pencils, chalk and a small amount of watercolour paint the illustration was completed in just over two-days. Mary asked if it would be possible to include my ‘motif’ of a ladybird, so that was included near my signature and is the first time I have done this for a pet illustration.
I handed over the commission to Mary today and she was very ‘moved’ and said that I had captured Dina’s expression and character very well. It’s always nice to be able to see the expression in people’s faces when I hand over my work to them. One of Mary’s friends came to her house later in the afternoon and recognised Dina.
Mary is soon to get Dina framed and hung on the wall with her other canine friends, a collection of illustrations and photographs and memories that mean so much to her in more ways than one…
I had done a birth illustration for a baby boy called Joshua back in April 2015 and his proud Grandmother, Angela, contacted me, a few months ago, to say that Joshua had recently received a baby brother, Rafe (the original spelling for the name Ralph) and that she would like to commission me to do a birth illustration for the newest member of her family.
After doing a spot of ‘homework’ about the name Rafe, I discovered that it is an old Norse/English word, which means ‘wolf counsellor’. Angela then asked me to come up with a theme for the birth illustration. I thought ‘Peter and the Wolf’ would be a nice theme for the commission and did some research about this ‘symphonic fairy tale for children’: which is a musical composition written by Sergei Prokofiev in 1936.
On his travels, young Peter (after leaving the safety of his grandfather’s house), encounters a small bird, a cat and a duck, which journey with him on his search for his adventure. Peter and the animals are all depicted by a particular instrument i.e. the cat is set to the clarinet, the duck to the oboe and Peter’s character is set to the string section of an orchestra. As the music unfolds, the different characters can be heard throughout the piece.
I wanted to create a different look for each of the characters and did a small scamp (Scamp – a first rough or mockup) before working on a more detailed sketch with characters in place. This is probably the hardest part of the whole process for me, as it’s drawing it all out and is fairly time-consuming. However, I love the process of creating the finished illustration, as all of the hours spent scamping and sketching finally start to take on a new dimension in colour, shape and texture before one’s eyes.
I was requested to keep the main character of Peter similar to the Disney cartoon, but I did suggest that we alter his hair and the colour of his clothes, as I never like to reproduce anything exactly. The small elephant on Peter’s clothes, relates to the motif on the birth announcement card that Angela received to inform her of his birth.
I am not sure when Angela is going to present her daughter with the new picture for the new arrival, but I do hope that they will like it and the thought and effort that has gone in to it from both the client and the artist…