The art of saying ‘thank you’…

I have a small number of very close and special friends, who send me Christmas presents.  I am a very lucky man in that respect.  I am told ‘friendship works both ways’ – basically you reap what you sow.  I have always put a good deal of effort into my friendships and I am very blessed to know some truly terrific people.  This 25th December I received another beautifully wrapped bundle of gifts, which included a purple jumper, a carved giraffe figurine, giraffe stationery (I am fond of giraffes) and some beautifully scented candles, amongst other things.

Thank you cards 2 by Michael Quinlyn-Nixon
On Christmas Day (I like to be on the ball) I had my delicious luncheon made by my mother, Carole, and immediately after doing the washing-up, I started making the thank you cards to send to my friends and family.  I had some coloured card and started sketching out a few ideas that would not be too time consuming.  I only had about 2-hours to complete and write out fifteen cards!  I also tried to make sure that the cards could easily be personalised.  I did a few different designs, to keep me interested and also changed colours for a bit of variety.

Thank you cards 0 by Michael Quinlyn-Nixon   Thank you cards 1 by Michael Quinlyn-Nixon
As soon as the Post Office was open, I darted down to buy some stamps and post my thank you cards…hoping that they would not get too caught-up in the late Christmas post.  I have already received some nice text messages saying thank you for the personalised cards.  This could start a contagious ‘wave of gratitude’ and don’t you think that would be simply wonderful? 

I will conclude this blog post by saying “thank you to you” for taking the time to read my posts this year…it is most appreciated…

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When autumn leaves start to fall – Bear-a-thought illustration

It seems many, many years ago that I was working on this ‘When autumn leaves start to fall’ illustration.  All of the Bear-a-thought illustrations take me right back to the time I was drawing them.  This was an illustration that appeared in my 2006 calendar and was inspired by a famous song performed by the immortal Nat King Cole

I was chatting to a good friend recently who mentioned the  song and I thought that this illustration would make a very good blog post this month.  I have to be honest and say that I have a bit of a ‘downer’ about November and it’s my least favourite month, as I dislike being plunged into the dark days of autumn at the end of October.

AutumnleavesbyMichaelQuinlyn-Nixon
In this illustration, I have tried to show November at it’s best with golden leaves and azure blue skies.  I chose one of my new teddy bears, named Raymond, for the illustration as I just thought he was so appealing in his blue duffle coat and I loved illustrating the cord buttons on his coat that are keeping him warm from the autumn chills.  I also really enjoyed drawing the golden-leafed oak tree in the background and I do remember putting some shapes in amongst the foliage.  I think there was a heart, a gingerbread man and a goldfish to name a few, though looking at the illustration now I can’t see them.

The leaves that our lovely little bear is bouncing on were quite difficult and rather monotonous to draw, but I wanted to give them the appearance of looking dry, brittle and ‘crackly’; the kind of bone-dry leaves you cannot resist running through and then watch them being whisked-off by the cool autumn breezes…

Autumn leaves of red, orange and brown, to the ground come fluttering down.
Raymond jumps to catch them as they fall, from the trees above – so big and tall.

Thoughts on Belinda Carlisle…

I was just a tad excited when I heard – at the beginning of the year – that one of my 1980’s singing idols – Belinda Carlisle was coming to the U.K. to do the ‘Heaven is a Place on Earth’ tour.

The news took me right back to 1989 when I was living in Langholm, Scotland, with my knitwear-designer colleague, Jennifer J. Kerr.  In our flat, I crooned along with Belinda every time her song ‘Heaven is a Place on Earth’ was played on the radio.  I think the name Belinda has a magical sound to it and the surname Carlisle, is also a place where I had lived and studied for years, so the name probably caught my attention for that reason alone, with the interest in her music coming later.

 Belinda Carlisle concertticket 10.10.17
I also remember having photographs of Belinda pinned to the inside of my wardrobe door and one of the photographs was a caption about how she had said that if she could save the whale by having all her teeth taken out she would do it.  That made her not only a fantastic singer but also a heroine!

 Belinda Carlisle The Collection CD cover
Imagine then my disappointment when having rang The Sage, Gateshead that there were no tickets available for the Belinda Carlisle concert on the 10 October.  The helpful sales assistant did say that I could try ringing back, as sometimes there were a couple of returns.  Day after day calls were made, but there were no returns.

Then one day, travelling from Maryport to my home in Durham, I was listening to Neil Diamond singing ‘A Solitary Man’ and the first words are…“Belinda was mine until the time…”  I thought it’s a sign to ring for tickets and the very next day two tickets were returned – and they were claimed – by me.  Some things are really meant to be…

The concert was great, of course, and Belinda sang all of the songs from her ‘Heaven is a Place on Earth’ album, along with a few extra songs, one of which is my personal favourite Belinda song ‘Summer Rain’.  I can honestly say that I have never seen an audience at The Sage, Gateshead dance as much; Belinda had them bopping in the rows from coming on stage…

Heaven is a place on earth CD Belinda Carlisle
I had to be back in the classroom the following day, so didn’t want to stay too late after the show…but I did get two signed Belinda Carlisle CDs, which I will treasure…

The Harvesters…

It’s almost scary that I drew this pen and ink drawing (later to be coloured with watercolours) almost 21 years ago.  I see that the completion date was ‘St. Ursula’s Day’ (which is the 21 October), so it’s almost ‘come of age’ this drawing in many ways than one.  I have done a number of book illustrations like this one over the years, but most of them I’ve sadly forgotten, but not this one.  This one takes me right back to the years when I was doing a lot of art, whilst also working hard in the world of newspapers…
The Harvesters by Michael Quinlyn-Nixon for blog
The reference material was largely my own photographs, as I can remember photographing these scarlet poppies which were growing in my family village of Tanfield (for those of you who know that area, it’s one of the fields on the industrial estate – opposite the sign to Tanfield Railway).  It was a gorgeous day and I was spending it with some of my family, Carole, Robert and Kirk.

This illustration took quite a long time to do, with the blurry effect behind the mice and the poppies in the foreground being the most time consuming.  I really enjoyed putting the details on the faces of the mice as they climb upon and nibble the swaying wheat.  When I actually spied some harvest mice I could not believe that they were so small; I also wanted to make sure that my trademark ladybird was not out of proportion with these tiny and elusive rodents.

I was rather taken aback by the popularity of this illustration and was delighted when it was reproduced as a greeting card and as one of the summer month illustrations in a rather classy calendar.  The original piece of artwork was purchased by Mr Alistair Thompson, from Scotby in Carlisle, after he saw it displayed at an exhibition.  I wonder if it’s still hung upon the living-room wall of his beautiful home to this present day…

Highland Cow (an exercise in colour)…

oeIt was one of those days when you just feel inspired to draw something, but you don’t know what and then your eye rests upon something that sparks your creativity.  I was just returning from a shopping trip in Newcastle upon Tyne, when I spied some Highland cattle from the lofty heights of the double-decker bus I was travelling on.
The colour of the cattle, a rusty orange, captured my imagination and I sourced some images online on my return home.  I found an excellent picture of a Highland cow and decided to reproduce it using a limited colour palette of coloured pencils: French Grey, Indigo, Raw Sienna, Chocolate, Venetian Red and Terra Cotta.  I didn’t allow myself to use Black pencils.  As well as working with a limited palette, I only allowed myself three-hours to create the drawing and the colouring.  In hindsight it could have done with some extra work, but I was determined not to go over the time allocation I had set myself from the outset.  In many ways this colour and time exercise reminded me of when I was a student at Cumbria Institute of the Arts in Carlisle.

I have a friend who is very fond of Highland cattle and this illustration just might find its way to her some day in the, hopefully, not-too-distant future…

Zain – Boy’s Birth Picture

I was asked a few month’s ago to create a birth illustration for a new arrival in Hull, called Zain, who was born this February.  Having done a birth illustration for his older brother, Lucas, it was great to be asked if I could do one for ‘Son Number 2’.
I had done a birth illustration on a dinosaur theme a number of years ago and the client asked if Zain’s design could be similar (I never do exactly the same designs).  So, I sketched out a few dinosaurs, the great ponderous Brontosaurus ‘the thunder lizard’ no doubt referring to the sound its great feet made it as it slowly pounded the earth, as well as Stegosaurus ‘roof/covered lizard’ with its kite-shaped bone plates on its back and Rhamphorhynchus – a flying bird dinosaur, rather like the Pterodactyl.  It’s always interesting to work from ‘real’ dinosaurs even if they don’t look exactly like their prehistoric creations.  I even included the ‘tyrant king lizard’ Tyrannosaurus Rex, with a much-softened and more friendly persona, as anything like the real thing would surely produce nightmares in one viewing it at a tender age!

I am hoping that Zain will like his birth illustration, which includes all his personal birth details upon it (you cannot see this on the photograph for security reasons).  His family should receive it in August or September when the family have a gathering in York.  Perhaps Zain will still appreciate and own this birth illustration long after I have also, like the dinosaurs, become extinct!

My first job in 1988…

After I graduated from Cumbria Institute of the Arts in 1987, I had to find employment to put my graphic design and art history training to work.  Back then, rather like now, jobs were rather ‘thin on the ground’ and I had to do a period of voluntary work with the Citizens Advice Bureau, whilst pursuing my first step on the elusive career ladder.  I had some temporary work for Busways in Newcastle upon Tyne, but was still looking for permanent work when my former teacher at the Institute, George Thompson, rang me and told me about a job for a graphic designer in the Scottish border town of Langholm. 
ABOVE: Me, with my thinking cap on, at my desk at Ashley Bank House (you can see some of the logo designs).

I applied for the job at The Edinburgh Woollen Mill and got an interview.  They must have been fairly impressed with my presentation and my graphic work, as I started receiving some freelance work from them; this was probably to see what my work ethic and creativity were like.  The fast-and-furious deadlines were enough to give me veritable nightmares, especially as there were no such things as e-mails and sending pdfs (not that I knew of anyway).  Everything had to be hand drawn and coloured to the best of my ability and within the set timescales.  When the work was complete it was a mad dash to the Post Office in order to post the work to them in time to meet the deadline.

After a number of months doing this home-design work, I was very grateful to be given a contract in early April 1988 and started working at Ashley Bank House (a former hotel), which was part of The Edinburgh Woollen Mill’s base in Langholm.  I later went to work at Waverley Mills, where I did a lot of the design work for the marketing department.  My time was spent creating logos for the company and P.O.S (point-of-sale) material, which was a large bulk of my work during the two-years that I worked there.

I will write some more about my first job on another blog post at a later date and include some more of the work that I did for this forward-thinking knitwear company.