I had done a birth illustration for a baby boy called Joshua back in April 2015 and his proud Grandmother, Angela, contacted me, a few months ago, to say that Joshua had recently received a baby brother, Rafe (the original spelling for the name Ralph) and that she would like to commission me to do a birth illustration for the newest member of her family.
After doing a spot of ‘homework’ about the name Rafe, I discovered that it is an old Norse/English word, which means ‘wolf counsellor’. Angela then asked me to come up with a theme for the birth illustration. I thought ‘Peter and the Wolf’ would be a nice theme for the commission and did some research about this ‘symphonic fairy tale for children’: which is a musical composition written by Sergei Prokofiev in 1936.
On his travels, young Peter (after leaving the safety of his grandfather’s house), encounters a small bird, a cat and a duck, which journey with him on his search for his adventure. Peter and the animals are all depicted by a particular instrument i.e. the cat is set to the clarinet, the duck to the oboe and Peter’s character is set to the string section of an orchestra. As the music unfolds, the different characters can be heard throughout the piece.
I wanted to create a different look for each of the characters and did a small scamp (Scamp – a first rough or mockup) before working on a more detailed sketch with characters in place. This is probably the hardest part of the whole process for me, as it’s drawing it all out and is fairly time-consuming. However, I love the process of creating the finished illustration, as all of the hours spent scamping and sketching finally start to take on a new dimension in colour, shape and texture before one’s eyes.
I was requested to keep the main character of Peter similar to the Disney cartoon, but I did suggest that we alter his hair and the colour of his clothes, as I never like to reproduce anything exactly. The small elephant on Peter’s clothes, relates to the motif on the birth announcement card that Angela received to inform her of his birth.
I am not sure when Angela is going to present her daughter with the new picture for the new arrival, but I do hope that they will like it and the thought and effort that has gone in to it from both the client and the artist…
I have very vivid childhood memories of my mother, Carole, sitting with me dangling on her knee, drawing giraffe after giraffe for my amusement. If it wasn’t a giraffe being drawn, it was an elephant. Being a toddler at the time, I couldn’t pronounce these words properly and just made ‘raffs’ and ‘lints’ my simplified version of these words.
I find giraffes the most fascinating creatures, with their beautiful patterned skin, long elegant necks and fantastically long eyelashes, not to mention their furry ossicones. I hadn’t done any watercolour paintings for a long time and looked through a large pile of photographs to see if there was anything that inspired me. I found this picture of a giraffe mother and child and decided to paint that. Some artists take ages to do a watercolour, but I usually find that I do them fairly quickly. I can spend a large amount of time on one coloured-pencil illustration, but I do not seem to be able to produce them quickly, whereas with watercolours I can see a picture come together much more quickly.
The above illustration was submitted to the campaign for One Million Giraffes (www.onemilliongiraffes.com). I couldn’t possibly not have contributed to that, now could I? And, just in case you’re wondering what my Mum’s drawings looked like – here’s one I scanned earlier…
The Snowbear illustration was one of the first illustrations that I drew when I started my Bear-a-thought calendars in 2002. Just looking at this illustration that I did 15-years ago on this date in 2001 (can’t believe it was that long!), I can still remember so much about my life then and what I had to do to create this illustration. I remember it had snowed hard in Durham that year and it was an ideal opportunity to get some snowy pictures. I stumbled out into the garden one morning, donned with gloves (fingerless ones, which are the only ones I can wear) and made my self a snowman, or more correctly a snowbear. I tried to make him teddy bear size (or just a bit bigger), so that he didn’t overpower the bear that I had in mind to draw with him.
After making my snowbear, which called on me to improvise with his features, using leaves for inside his ears and buttons, a cherry-chocolate covered in red foil paper for his nose and some well-known chocolate wrappers for his eyes, I draped a favourite scarf around his shoulders to create that casual, snowbear-around-town look. All that was left was to position my teddy bear, Augustus, in front of my cold creation. I think the addition of the spade was an inspiration and made it look like little Augustus had been hard at work at his snow sculpture.
This was the first illustration to be seen in my very-first calendar and was the first of many, as I had no idea at the time just how popular these illustrations would become or how many different parts of the world would get to see them.
I’ve drawn many teddy bears over the last twenty-years (I think the actual number was way over a hundred), but some of them mean so much more to me than others. It’s not just to do with the finished illustration, more often it’s the memories created from setting up the drawing, or something significant that happened when working on the final piece of artwork.
‘On the Beach’, which was completed on 20 August 2002, is one of my very favourite illustrations from the 2004 Bear-a-thought calendar. I love the bear, which was drawn in the illustration; he is called Augustus. I ‘discovered’ him in a frosted window of a local shop, as I rushed home on a cold winter’s evening after a long day at work. He stopped me in my tracks, to be honest and even though I was cold and tired I had to go and buy him. He has since become one of my most popular teddy bear models, to the point where many customers of my cards and calendars know him by name!
This illustration was created from drawings, photographs and sketches done on a beach at South Shields. The weather was lovely and I walked a long way along the beach to find somewhere secluded and private to set up my tableau of bear, deckchair, bucket and spade etc. It never fails to amaze me that no matter how private I try to be when setting up these ‘scenes’, that people seem to come from nowhere and find me. Such was the case on this day; no sooner had I got the little scene arranged, I could see people heading towards me across the dunes, looking a little bit like ants in the distance. Some people skirt around and take an inquisitive glance at what I am doing, whereas other people will come up and say ‘what’s going on with this bear then?’. The latter happened on this occasion, and I met a lovely couple with twin babies, who asked if they could have their photograph taken with the little scene that I had created. They turned out to be customers of mine, which saved a great deal of explanation about what I was doing. Others followed in their wake, and by the time I was ready to do my sketches the tide was nearly upon me! I had to move the whole scene for fear of it being washed away to sea.
This drawing also makes me smile because of the special memories and the fact that Augustus is wearing one of the first pair of shorts worn by my niece, Alishia. I also must confess to cheating with the ice cream too, which was in fact a dollop of mashed potato. The seagulls were very interested in that and I had to defend my little scene from being flapped apart by the sound of rampaging wings. So, as you see – being a teddy bear artist is definitely not for the shy or faint-hearted.
‘On the Beach’ is dedicated to the late and great Yootha Joyce, who I had a great admiration for. I later found out that she loved teddy bears (I hadn’t known that at the time), so I hope she would approve of my dedication.