I was delighted to hear the news that my friends, Keith and Anne, were to become proud grandparents, as their daughter, Sarah and son-in-law, Mark, were expecting twins in the early months of 2017.
Having done a number of illustrations for Keith and Anne in the past (of a canine nature) it was nice to be asked to do some birth illustrations for their two grandchildren. The grandchildren are beautiful and the parents have named them Erin and James. Congratulations to all the family.
Erin was very traditional in being ‘ladies first’, with her ‘little’ brother arriving only a minute behind her. The proud grandparents wanted some animal illustrations to feature on the birth pictures, but each of them were to have a different theme, so I suggested African/Safari animals for James and British wildlife for Erin. I was inspired by all of the Beatrix Potter merchandise last year, so it’s not surprising that Erin has a red squirrel, rabbit and a hedgehog in her illustration. This illustration is also the first to feature a mole, an animal that I can’t remember ever drawing before. James, on the other hand, features animals that boy’s tend to like – particularly crocodiles, lions, monkeys and elephants. It also has my favourite animal, a giraffe in it too.
I heard from Keith that the new parents, Sarah and Mark, are delighted with their children’s birth illustrations, which makes it all the more enjoyable for me, as I truly enjoyed drawing them. I hope that when they are older Erin and James will enjoy them and that they will be a wonderful memory for them in later years.
I must make an apology for the quality of the images on this blog post. I took a picture of these commissions with my mobile phone and not my camera (which wasn’t working at the time 😦 )
From being a young boy my Mother’s family, the Lakes, bought me copies of the charming animal stories by Beatrix Potter, so I am very familiar with them. I am particularly fond of Jemima Puddle-duck, Squirrel Nutkin and Hunca Munca from ‘The Tale of Two Bad Mice’. Since early childhood, I have also gathered a number of friends who also love this lady’s work, including Sara, who has a particular fondness for Mrs. Tiggy-winkle. 150-years-ago today, Beatrix Potter was born in London and in this commemorative year her characters and illustrations are being featured on Royal Mail stamps and Royal Mint fifty-pence coins. So, it would seem an appropriate moment to mention a ‘Beatrix Potter’ inspired illustration that I was commissioned to do, whilst working in Carlisle, in April 1997.
When I worked with Sara and many of my other friends, on such publications as Cumbria Life and the Cumbrian Gazette newspapers, I was often asked to produce illustrations for the advertisements or editorial features. On one occasion, I was asked if I could draw an illustration, which was to feature on an advertisement for a very prestigious and beautiful hotel in the Lake District – famous for the red squirrels that live in the grounds. The clients asked if I could do a red squirrel pencil or watercolour illustration on a Beatrix Potter theme. I was keen to try and immediately set to sketching some red squirrels in the delicate fashion of this famous lady that has inspired me for many years. I have in no way captured the beauty of her work (I had a very short deadline to do the illustration by, as it happens!) but at least I have tried to capture the essence of her unique style and flair.
After having seen her original watercolours work at the National Trust gallery in Hawkshead, Cumbria, I can only say that some of her work was so intricate and delicate that it left me speechless. I can only hope that Beatrix Potter would smile benignly on my ‘Squirrel Nutkin’ illustration, with a look that is both kind and favourable. I hope you like it too 🙂
Helen Beatrix Potter, English writer, illustrator, natural scientist and conservationist • Born: 28 July 1866 – Died: 22 December 1943
NB. Please note that the picture (above) is framed and this image shows some slight distortion caused by reflections on the glass.
I have very vivid childhood memories of my mother, Carole, sitting with me dangling on her knee, drawing giraffe after giraffe for my amusement. If it wasn’t a giraffe being drawn, it was an elephant. Being a toddler at the time, I couldn’t pronounce these words properly and just made ‘raffs’ and ‘lints’ my simplified version of these words.
I find giraffes the most fascinating creatures, with their beautiful patterned skin, long elegant necks and fantastically long eyelashes, not to mention their furry ossicones. I hadn’t done any watercolour paintings for a long time and looked through a large pile of photographs to see if there was anything that inspired me. I found this picture of a giraffe mother and child and decided to paint that. Some artists take ages to do a watercolour, but I usually find that I do them fairly quickly. I can spend a large amount of time on one coloured-pencil illustration, but I do not seem to be able to produce them quickly, whereas with watercolours I can see a picture come together much more quickly.
The above illustration was submitted to the campaign for One Million Giraffes (www.onemilliongiraffes.com). I couldn’t possibly not have contributed to that, now could I? And, just in case you’re wondering what my Mum’s drawings looked like – here’s one I scanned earlier…
I illustrated my Bear-a-thought teddy bear calendars for twelve-years and was due to start work on my thirteenth calendar, before I realised that I had neither the time or energy to complete another twelve illustrations. Due to the amount of other projects and my commitments to a full-time job I was left with a dilemma of whether to carry on with the illustrations or concentrate on other types of illustration…
I decided not to go ahead with the calendar; there would have been an enormous amount of pressure to have done so. I informed my customers, scattered all around the world, of my decision and was amazed to receive many letters and e-mails saying how disappointed they were to hear the news. They understood the reasons, of course, but it was nice for me to know that my calendars had been looked forward to with so much delight and that they had made a difference in people’s lives. I have kept the letters and they are a lovely reminder of how people appreciated the work that I had done over a dozen years.
The last Bear-a-thought illustration that I produced was to be for my thirteenth calendar and was planned to feature bears on a theme of the 12-months of the zodiac. I chose Pisces, (the birth sign for those born, on average, between February 19 and March 20) as my first piece of artwork, as I had a pet goldfish, called Monica, that I adored. She had been a companion for many years and was the most affectionate goldfish that I had known (I have known a lot). When the other fish in the tank were ill she would take food from the top of the water and take it down for them and encourage them to eat. She was a very intelligent fish and was like a nurse with fins :0) I would dangle my fingers in the water and she would come and swim around them and receive a delicate stroke. Some of her scales shone with the most beautiful gold – yes gold, not orange – sheen. All good things must come to pass, and my friend with fins died in August 2007. The illustration was created after Monica’s passing, as I wanted to include her in one of my illustrations.
I also included two of my most popular teddy bears, Augustus and Scruff. I love Augustus’s sleepy eyes and the disheveled look that Scruff had about him. I still have these two bears, as I became very attached to them (and they to me, of course) and they reside in a big Victorian perambulator that my grandmother left me (she said it is an antique, but that has yet to be proved). They look quite keen to pose for me again, if the need ever arises.
So, my 132nd Bear-a-thought illustration looks like it is to be the last, but I did promise my customers to never say never to launching the calendars again in the future…
PS. I love double numbers, so it was rather fitting to finish the illustration on 11 November 2011 (11.11.11).
Of all of the breeds of dogs that I have drawn in my lifetime, spaniels must be the most frequent, followed close on the heels (or should I saw paws?) by Border Collies.
A couple of weeks before Christmas I was contacted by a very friendly gentleman, named Keith, who asked me if I could draw his daughter’s fiance’s dog. Within a few days I was being collected by Keith and taken to his home to photograph the dog, who turned out to be a highly intelligent and very active Springer Spaniel, by the name of Alfie. I love it when people arrange to have special and totally unique illustrations done for friends and relatives. There is usually so much thought behind these actions and it always speak volumes of how highly regarded the recipients are to those that commission the illustration.
It’s always lovely to draw people’s pets, but when you have met the pet and made their acquaintance it does make the illustration all the more special for me. Alfie had a lot of white fur, which was complemented by his dark chocolate fur and the amber tone of his eyes. He is a very handsome dog indeed and one that would be a lovely companion to a dog lover.
The illustration took a few days to complete and because of the large area of white on Alfie’s chest, I put in a suffused raw sienna tone behind him, to highlight the profile of his fur.
The commission was done in secret and collected by Keith, who was very pleased with the result… I heard later, that the illustration had been a big hit with the young gentleman, Marc, who had received the illustration on Christmas Day.
So, that is another spaniel to add to my collection…and he is soon to be followed by a Jack Russell and a West Highland Terrier. They do say that ‘variety is the spice of life’…