I have always had a love of swans, but Mute Swans in particular. They are known as birds that are legally protected in Britain by HM Queen Elizabeth II. I rather think they match being a royal bird as the regal way they bow and raise their heads is grace personified. I also admire the way that they glide serenely on a lake, whilst their legs are frantically going like the paddle wheels of a riverboat steamer beneath the almost unrippled surface!
I do know swans have gained, with some people, rather an aggressive reputation, but I think their protective ways are much needed in a world where irresponsible dog owners let their dogs run after and threaten (and on occasions kill) cygnets. I have also seen children throwing stones and bricks at these beautiful birds, so is it any wonder that many of them are very protective especially to their young? I can see the swan’s point of view and have to say that with all of my many up-close-encounters with swans have all been tranquil and placid.
I found a nice photograph of a mute swan preening its feathers in the shallow waters of a lake and decided that I would draw it in soft pastels. I was rather pushed for time, but I was also needing to use up some creativity that was bubbling to the surface that day. With this in mind, I did the drawing on a very small scale and on a very textured paper. This wasn’t the best of ideas, as the texture was perhaps a trifle strong for a drawing that small, so much so, I put the illustration aside for a while after only doing a small part of the background. Later, with a little bit of persuasion from a friend, I was encouraged to persevere with it, which I did rather begrudgingly (time always being a much prized and scarce commodity with me).
After half-an-hour of sustained colouring with my pastels, I started to enjoy the drawing for the act of drawing and being creative, rather than trying to complete something that was ‘pleasing’ to me… As it happens, it pleases a friend of mine very much, who has kindly requested it for his brother – an ardent nature lover.
I finished the mute swan today and have learned a few lessons from it, firstly that textured paper and small drawings have a conflict of interest and secondly that enjoying doing something is sometimes more important than the finished result…
Whilst I was continuing my perpetual cleaning spree of my study, I unearthed this picture from my college days’ archive. It is a coloured pencil illustration that was given to me circa 1997 by a friend and fellow student, Hazel Joy Shields, known to her friends as Joy. I got to know Joy in my second year at College and what made the biggest connection between us was the fact that she was from the North East, (Blyth, Northumberland to be exact) and I was from Durham.
My nickname from my friends at Cumbria University of Arts was ‘Quiffer’ due to the wave-like quiff I had in those days and in this illustration Joy has drawn me with my distinctive hairstyle. I am rather pleased that she has drawn my caricature as the wizard, (with the obvious power over the smoke-breathing dragon) and not one of the helpless knights quaking at the sight of it. The knight in pink armour is my friend, Paul Drury, who hails from Huddersfield and the green-clad knave with the blonde hair is my friend, Andrew ‘Andy’ Smith from Wakefield. I don’t know if either of the two Yorkshire lads will have seen this illustration or not before or whether it will be a surprise for them…
It was wonderful finding this illustration, still in perfect condition, amongst my papers, as it has brought back so many happy memories of my days of yore in Carlisle. This cartoon illustration was done before the adventures of Harry Potter came into being, but maybe Joy had a bit of the foresight to see the potential in wizards, castles and knights in shining armour…
Whilst my role as a teacher allows me to meet some great learners, it also gives me the opportunity to meet some really nice people who support the learners to achieve the best results they can. I have worked with many support workers, but the ones that I have worked with over the last two terms have been some of the best. These have included (in alphabetical order): Amanda, Danielle, Jess, Nathan, Neil, Ronnie and Tom. Working closely with learners and their support workers in the classroom give you a real insight into the kindness and patience people have for those that they care for and in time you get to know these people and find out about their families and their interests.
One of the above named support workers, Nathan, was telling me about his family on one occasion: about his wife Tracey, their four-year-old daughter named Annabelle and their young son, named Max. Annabelle is a fan of My Little Pony and also likes unicorns (but then who doesn’t?). He requested me to do an illustration for Annabelle, which he and Tracey would present to her on her fifth birthday this month.
Inline with his daughter’s interests, Nathan requested ponies, flying horses, unicorns – things of a fairytale theme, with the main colours of pink and blue, which are Annabelle’s favourite colours. I made a suggestion of trying to include Annabelle in the illustration and bearing in mind the size of the illustration this was easier said than done, as I was illustrating a face that was so small on paper! I had to use my finest pencils and a magnifying glass to see what I was doing. I took a deep breath and whilst biting my tongue did the drawing, trying not to overdo it. It was white-knuckle time!
I got a message from Nathan to say that the illustration is fantastic and his colleagues have also given me such great feedback about the drawing. I hope the illustration was a highlight of Annabelle’s birthday and that when she is older it will bring back the most special memories of a wonderful birthday and a personalised gift from her loving father and mother.
It seems many, many years ago that I was working on this ‘When autumn leaves start to fall’ illustration. All of the Bear-a-thought illustrations take me right back to the time I was drawing them. This was an illustration that appeared in my 2006 calendar and was inspired by a famous song performed by the immortal Nat King Cole.
I was chatting to a good friend recently who mentioned the song and I thought that this illustration would make a very good blog post this month. I have to be honest and say that I have a bit of a ‘downer’ about November and it’s my least favourite month, as I dislike being plunged into the dark days of autumn at the end of October.
In this illustration, I have tried to show November at it’s best with golden leaves and azure blue skies. I chose one of my new teddy bears, named Raymond, for the illustration as I just thought he was so appealing in his blue duffle coat and I loved illustrating the cord buttons on his coat that are keeping him warm from the autumn chills. I also really enjoyed drawing the golden-leafed oak tree in the background and I do remember putting some shapes in amongst the foliage. I think there was a heart, a gingerbread man and a goldfish to name a few, though looking at the illustration now I can’t see them.
The leaves that our lovely little bear is bouncing on were quite difficult and rather monotonous to draw, but I wanted to give them the appearance of looking dry, brittle and ‘crackly’; the kind of bone-dry leaves you cannot resist running through and then watch them being whisked-off by the cool autumn breezes…
Autumn leaves of red, orange and brown, to the ground come fluttering down.
Raymond jumps to catch them as they fall, from the trees above – so big and tall.
Dina, pronounced ‘Dinah’, is my fourth Doberman Pinscher illustration for Mary Redshaw. I have known Mary from my time working at a tertiary college and she has always had a love of dogs, particularly Doberman Pinschers, and during the last five-years I have drawn a succession of Mary’s beautiful dogs: Gina, Tia, Della and now Dina.
For some reason, I always had a soft spot for Dina and despite the fact that she could be as mischievous as her sister, Della, I never wanted Dina to get the blame. I never got to meet Mary’s ‘girls’ apart from once, when I met Dina and took her and Mary’s whippet, Tina, for a walk. Dina was, by now, quite an ‘old girl’ and was having difficulty with her breathing and her walking was impaired, but despite all of this she had a beautiful nature and was a perfect companion for Mary and the spritely young whippet.
I drew this commission after having looked at hundreds of photographs that Mary had taken of Dina; together we chose the one that we liked the best and that reflected her gentle nature. Using coloured pencils, chalk and a small amount of watercolour paint the illustration was completed in just over two-days. Mary asked if it would be possible to include my ‘motif’ of a ladybird, so that was included near my signature and is the first time I have done this for a pet illustration.
I handed over the commission to Mary today and she was very ‘moved’ and said that I had captured Dina’s expression and character very well. It’s always nice to be able to see the expression in people’s faces when I hand over my work to them. One of Mary’s friends came to her house later in the afternoon and recognised Dina.
Mary is soon to get Dina framed and hung on the wall with her other canine friends, a collection of illustrations and photographs and memories that mean so much to her in more ways than one…
I had done a birth illustration for a baby boy called Joshua back in April 2015 and his proud Grandmother, Angela, contacted me, a few months ago, to say that Joshua had recently received a baby brother, Rafe (the original spelling for the name Ralph) and that she would like to commission me to do a birth illustration for the newest member of her family.
After doing a spot of ‘homework’ about the name Rafe, I discovered that it is an old Norse/English word, which means ‘wolf counsellor’. Angela then asked me to come up with a theme for the birth illustration. I thought ‘Peter and the Wolf’ would be a nice theme for the commission and did some research about this ‘symphonic fairy tale for children’: which is a musical composition written by Sergei Prokofiev in 1936.
On his travels, young Peter (after leaving the safety of his grandfather’s house), encounters a small bird, a cat and a duck, which journey with him on his search for his adventure. Peter and the animals are all depicted by a particular instrument i.e. the cat is set to the clarinet, the duck to the oboe and Peter’s character is set to the string section of an orchestra. As the music unfolds, the different characters can be heard throughout the piece.
I wanted to create a different look for each of the characters and did a small scamp (Scamp – a first rough or mockup) before working on a more detailed sketch with characters in place. This is probably the hardest part of the whole process for me, as it’s drawing it all out and is fairly time-consuming. However, I love the process of creating the finished illustration, as all of the hours spent scamping and sketching finally start to take on a new dimension in colour, shape and texture before one’s eyes.
I was requested to keep the main character of Peter similar to the Disney cartoon, but I did suggest that we alter his hair and the colour of his clothes, as I never like to reproduce anything exactly. The small elephant on Peter’s clothes, relates to the motif on the birth announcement card that Angela received to inform her of his birth.
I am not sure when Angela is going to present her daughter with the new picture for the new arrival, but I do hope that they will like it and the thought and effort that has gone in to it from both the client and the artist…
I always love this time of year, when you know spring is ‘just around the corner’. The days start to lengthen and the mornings are much lighter (so not quite as difficult to get out of bed at 7 o’clock) and one’s heart is gladdened.
It’s at this time of year, that I always notice a large clump of snowdrops, which grow on a bank in Burnopfield, not far from my parents’ home. They have cheered my heart on many a winter day.
My longtime friend and former colleague, Mildred, has a great love of snowdrops and they have a very special meaning for her. I think she was the inspiration behind this drawing, which also featured a beautiful white bear. My friend, Jennifer A. Stephenson created a beautiful jade-green cape or cloak, for the bear, which I named ‘Sophie’.
I photographed the bear in situ but was very careful not to crush the delicate white blooms on the drooping flowers. As usual, I waited until the road was quiet of traffic and set up the scene. Then, as usual, a fleet of buses or a group of cyclists go by and all stop and stare at me, as I do some sketching and take some hasty photographs. The same thing happened on this occasion, which is always very embarrassing for me. I wouldn’t put myself through these torturous ordeals if it is not for the fact that I want to get the effects of shadow and light correct on the bear etc.
This illustration, like many of them, was time consuming, as the amount of snowdrops could not be rushed. I felt I was well on my way to breaking the record of how many snowdrops could be drawn in the one picture.
‘Sophie in Snowdrops’ appeared in my 2006 Bear-a-thought calendar and the finishing touches on this illustration were completed whilst I was watching a repeat of the original ‘Dad’s Army’ movie on television. It’s strange the memories of doing these illustrations recall…