This Bear-a-thought illustration was produced for my 2003 calendar, which featured a hug of delightful bears amongst the nationally recognised flowers of the month. With it being December, I was left to choose either Britain’s native holly or Mexico’s flame-like poinsettia. So, because I didn’t want the bear in question, that was sitting next to the plant, to be prickled I wisely chose the poinsettia.
The white bear, named Michael (a rather charming name, if I say so myself) is getting ready for Christmas and enjoying the colour and brightness of the Poinsettia, with a candle in the form of a duck. I remember drawing this illustration very vividly and enjoying drawing the patterned material that the bear is sitting on (which also has a bit of holly in the pattern).
I have chosen this drawing especially for this December blog post, as December is the birth month of two friends, Dawn, a former work colleague and Peter, who is a very avid collector of some of the world’s most beautiful bears. So as well wishing a Merry Christmas to all my readers, I would like to wish a very special birthday to these two very special people…
Merry Christmas and Happy New Year to you all…
Taffy is a mischievous Welsh terrier who lives in Rhyl, Wales with Joyce and William. They are relations of my close friends Mary and Peter Lupton who commissioned me to do the drawing in honour of Joyce’s birthday.
Taffy who likes to be out for walks along the promenade – in all weathers – was, I have to admit a total delight to draw. Being the first Welsh terrier that I have ever drawn I was soon ‘under his spell’ as I worked away at him on my drawing board. So much so, that I was rather loathe to part with him when the time came.
I was very pleased to hear that Joyce was delighted with the present. saying, “It’s the best present I have ever had”.
Mary scribbled on an envelope “I love the illustration, darling”, so that was a very satisfactory outcome as I had enjoyed every minute of creating Taffy on paper.
For those of you who have followed my work for a while now, you will know that my ‘signature tune’ in most of my drawings is a ladybird. I am not totally sure as to how and when I decided to put these little scarlet beetles into my drawings, but I do know why I am so particularly fond of them. When I was a little boy my Grandfather Lake was keen on growing roses and he and I would go to the site of the old swamp in Tanfield Lea and gather as many ladybirds as we could find to put on his roses. They were very hardworking gardening allies and kept all the pests at bay; my Grandfather’s roses flourished year-after-year. Through the years, the ladybirds became more and more prominent in my work and it now reminds me of dear friends, such as Mildred from Carlisle and Dorothy from Whitehaven.
So, whilst having lunch at Hexham Fish Bar with my friends from Carlisle, Mary and Peter Lupton, Mary turned to me and said, “Darling, what are you going to do for your next blog post?” I wasn’t sure and later when we were talking to Stella, the young lady that works in the fish bar, Mary suggested I give her one of my business cards. Stella’s family are from Cyprus and she pointed out the ladybird on my logo. I asked her what the insects are called in Cyprus and she said she would check with her father. He said that they are called Babavura or Paparouna, which relates to ladybirds bearing the same colours as the field poppy – scarlet and black. Quite appropriate! Whatever your nationality it would seem that ladybirds are lucky or beneficial insects in most countries or cultures with pet names such as ‘God’s Cow’ and ‘Mary’s/Our Lady’s Beetle’ -relating to the Virgin Mary, who was often depicted in early mediaeval paintings wearing scarlet and black robes, instead of the traditional white and blue that people are now familiar with.
So, on this very sunny and warm Good Friday, I decided to sit down and do a very quick coloured pencil sketch of ladybirds on one of my favourite flowers, forget-me-nots. I allowed myself a very strict time limit to do this illustration and I just managed to meet the deadline. I felt a little bit silly for sitting in drawing on such a glorious April day, but with the window open and the sun pouring through it was like being outside inside. I enjoyed doing the illustration and it was interesting to see just how many colours were used to create the final piece of artwork!
I had done a birth illustration for a baby boy called Joshua back in April 2015 and his proud Grandmother, Angela, contacted me, a few months ago, to say that Joshua had recently received a baby brother, Rafe (the original spelling for the name Ralph) and that she would like to commission me to do a birth illustration for the newest member of her family.
After doing a spot of ‘homework’ about the name Rafe, I discovered that it is an old Norse/English word, which means ‘wolf counsellor’. Angela then asked me to come up with a theme for the birth illustration. I thought ‘Peter and the Wolf’ would be a nice theme for the commission and did some research about this ‘symphonic fairy tale for children’: which is a musical composition written by Sergei Prokofiev in 1936.
On his travels, young Peter (after leaving the safety of his grandfather’s house), encounters a small bird, a cat and a duck, which journey with him on his search for his adventure. Peter and the animals are all depicted by a particular instrument i.e. the cat is set to the clarinet, the duck to the oboe and Peter’s character is set to the string section of an orchestra. As the music unfolds, the different characters can be heard throughout the piece.
I wanted to create a different look for each of the characters and did a small scamp (Scamp – a first rough or mockup) before working on a more detailed sketch with characters in place. This is probably the hardest part of the whole process for me, as it’s drawing it all out and is fairly time-consuming. However, I love the process of creating the finished illustration, as all of the hours spent scamping and sketching finally start to take on a new dimension in colour, shape and texture before one’s eyes.
I was requested to keep the main character of Peter similar to the Disney cartoon, but I did suggest that we alter his hair and the colour of his clothes, as I never like to reproduce anything exactly. The small elephant on Peter’s clothes, relates to the motif on the birth announcement card that Angela received to inform her of his birth.
I am not sure when Angela is going to present her daughter with the new picture for the new arrival, but I do hope that they will like it and the thought and effort that has gone in to it from both the client and the artist…