I am always delighted when a customer returns to me for another commission. It is an endorsement and validation that they appreciate the style and quality of my work and are happy to commission you to do another piece of artwork for themselves or a loved one.
Last year, Mrs Angela Rose had commissioned me to create a birth illustration for a young relative, with a collection of dinosaurs. On this more recent occasion, she requested me to create a portrait illustration of her daughter’s two West Highland Terriers: Milly and Harper. I prefer to take photographs of pets myself, whenever possible, so I went around to do a photoshoot of the two canine characters. Both of these two dogs were in a rather soporific mood on a hot July day that they needed to look their best for the camera. They were both very well groomed, but their sleepy moments were interspersed with bouts of running, racing and jumping, as Mrs Rose’s daughter, Amy, and myself strived to keep them awake whilst I took numerous photographs.
I have to say that both Milly and Harper were adorable in different ways, but I have a ‘soft-spot’ for Harper who gently raised her nose to touch mine whilst introductions were being made.
The illustration took a number of days to complete and required a background of fawn and soft browns to make Milly and Harper stand out. Whenever I am drawing ‘white’ dogs I am amazed to discover all of the different colours that go to make up the fur. These colours can include a range of browns, creams and fawns to name a few.
I handed over the finished commission to Mrs Rose and her husband, Ian, and they commented that the illustration was “spot on” and that Amy would be delighted with her personal and unique commissioned illustration.
I later heard that Amy was delighted and the commission will soon be displayed on her living-room wall. Thank you to the Roses and my other clients who return to me time-and-time-again for illustrations – it is very much appreciated.
Ingrid Bergman, Actress, b: 29 August 1915 – d: 29 August 1982
I remember watching movies starring Ingrid Bergman from being a child. I recall seeing her afraid of her husband’s suspicious behaviour in one black-and-white movie and the suspense it created within me. In all of her movies she seemed to possess a striking complexion of an almost luminous quality. I think there were very few actresses that had ‘that look’.
I’ve seen Ingrid Bergman, mostly, in the film ‘Casablanca’ with Humphrey Bogart and her flawless features, along with the famous line…”Of all the gin joints, in all the towns…” is one of the most memorable aspects of the movie.
Of course, I’ve seen many more of her movies, including ‘The Bells of St. Mary’s’ (1945), with Bing Crosby; ‘The Yellow Rolls Royce’ (1964), with its all-star cast and her very memorable characterisation of a children’s missionary worker in Agatha Christie’s ‘Murder on the Orient Express’ (1974).
This portrait of Ingrid Bergman, created by using very small dots, was done by-hand and took many hours of patient and careful work. It was one of a number of movie star portraits that were featured in a small, private exhibition in Liverpool. The feedback of the portraits was very good, at a time when I was just trying new techniques. Perhaps that is one of the reasons that I couldn’t quite bring myself to sell the majority of the pen-and-ink originals…
After I had typed all of the information, above, I looked up the name ‘Ingrid’ which is a Scandinavian name, derived from Old Norse. One of the interpretations of the name is ‘Beautiful and Fair’. With regard to Ingrid Bergman, it really couldn’t be more accurate…
Grace Kelly, Actress, b: 12 November 1929 – d: 14 September 1982
Grace Kelly is arguably one of the most iconic of movie stars and still retains a magical quality that matched her later life as a princess. There is so much beauty in her face, which strangely combines both strength and vulnerability. The movie ‘Grace of Monaco’, starring Nicole Kidman, is released today and reminded me of a portrait that I had done of Grace Kelly ‘many moons ago’.
I drew this mono-pointillism (building the picture up by-hand with very small dots of ink) illustration in the early 1990’s, because I was amazed at the quality of this photograph of Grace. This illustration was framed along with several other portraits of movie stars, that I had drawn applying this drawing technique. They were exhibited on a rather grand staircase in Liverpool. One of the viewers later told me that she thought I had, somehow, captured the essence of Grace’s haunting beauty in the picture and that she had been moved to tears when she saw it. It’s comments, such as these, that made all of those long hours, doing dot-after-dot, so very worthwhile…